{"id":20718,"date":"2015-01-18T22:14:44","date_gmt":"2015-01-18T20:14:44","guid":{"rendered":"http:\/\/www.suicidebystar.com\/blog\/?p=20718"},"modified":"2015-01-19T19:40:44","modified_gmt":"2015-01-19T18:40:44","slug":"lo-mejor-de-2014-tops-individuales-por-redactor","status":"publish","type":"post","link":"https:\/\/www.suicidebystar.com\/lo-mejor-de-2014-tops-individuales-por-redactor\/","title":{"rendered":"Lo Mejor de 2014 – Tops individuales por redactor"},"content":{"rendered":"

Cerramos ya el ciclo de los Tops de 2014 con la \u00faltima parte, los tops individuales de cada miembro del Staff.<\/p>\n

SG<\/span><\/h1>\n

\"Mapache\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"Unnatural<\/a><\/td>\n\n

1<\/h1>\n

Have A Nice Life<\/h2>\n

The Unnatural World<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Swans<\/a><\/td>\n\n

2<\/h1>\n

Swans<\/h2>\n

To Be Kind<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Stiu<\/a><\/td>\n\n

3<\/h1>\n

\u015etiu Nu \u015etiu<\/h2>\n

ULTRA SILVAM<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Grouper<\/a><\/td>\n\n

4<\/h1>\n

Grouper<\/h2>\n

Ruins<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Graveyard<\/a><\/td>\n\n

5<\/h1>\n

Graveyard Train<\/h2>\n

Takes One to Know One<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Antemasque\"<\/a><\/td>\n\n

6<\/h1>\n

Antemasque<\/h2>\n

Antemasque<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Weezer<\/a><\/td>\n\n

7<\/h1>\n

Weezer<\/h2>\n

Everything Will Be Alright In the End<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Black<\/a><\/td>\n\n

8<\/h1>\n

Black Lips<\/h2>\n

Underneath the Rainbow<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"st-paul-and-the-broken-bones-half-the-city\"<\/a><\/td>\n\n

9<\/h1>\n

St. Paul & The Broken Bones<\/h2>\n

Half the City<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Radio<\/a><\/td>\n\n

10<\/h1>\n

Radio Moscow<\/h2>\n

Magical Dirt<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top Nacional<\/h2>\n\n\n\n\n\n\n\n
\u00a0\"Cuello<\/a><\/td>\n\n

1<\/h1>\n

Cuello<\/h2>\n

Modo Eterno<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Biznaga<\/a><\/td>\n\n

2<\/h1>\n

Biznaga<\/h2>\n

Centro Dram\u00e1tico Nacional<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Atavismo\"<\/a><\/td>\n\n

3<\/h1>\n

Atavismo<\/h2>\n

Desintegraci\u00f3n<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"El<\/a><\/td>\n\n

4<\/h1>\n

El Columpio Asesino<\/h2>\n

Ballenas Muertas En San Sebasti\u00e1n<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Berri<\/a><\/td>\n\n

5<\/h1>\n

Berri Txarrak<\/h2>\n

Denbora Da Poligrafo Bakarra<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

AsbestosDeath<\/h1>\n

\"Asbestos\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"Heathen\"<\/a><\/td>\n\n

1<\/h1>\n

Thou<\/h2>\n

Heathen<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Unnatural<\/a><\/td>\n\n

2<\/h1>\n

Have A Nice Life<\/h2>\n

The Unnatural World<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Indian-From-All-Purity-cover\"<\/a><\/td>\n\n

3<\/h1>\n

Indian<\/h2>\n

From All Purity<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"bolzer_soma\"<\/a><\/td>\n\n

4<\/h1>\n

B\u00f6lzer<\/h2>\n

Soma<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Lust<\/a><\/td>\n\n

5<\/h1>\n

Lust For Youth<\/h2>\n

International<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Swallowed<\/a><\/td>\n\n

6<\/h1>\n

Swallowed<\/h2>\n

Lunarterial<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Dead<\/a><\/td>\n\n

7<\/h1>\n

Dead Congregation<\/h2>\n

Promulgation Of The Fall<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Marissa<\/a><\/td>\n\n

8<\/h1>\n

Marissa Nadler<\/h2>\n

July<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Skullflower<\/a><\/td>\n\n

9<\/h1>\n

Skullflower<\/h2>\n

Draconis<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Process<\/a><\/td>\n\n

10<\/h1>\n

Process Of Guilt\/ Rorcal<\/h2>\n

Split LP<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top Nacional<\/h2>\n\n\n\n\n\n\n\n
\u00a0\"teitanblood-death-84521\"<\/a><\/td>\n\n

1<\/h1>\n

Teitanblood<\/h2>\n

Death<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Antiguo<\/a><\/td>\n\n

2<\/h1>\n

Antiguo R\u00e9gimen<\/h2>\n

Pol\u00edtica de Tierra Quemada<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Atavismo\"<\/a><\/td>\n\n

3<\/h1>\n

Atavismo<\/h2>\n

Desintegraci\u00f3n<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"El<\/a><\/td>\n\n

4<\/h1>\n

El P\u00e1ramo<\/h2>\n

El P\u00e1ramo<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Horn<\/a><\/td>\n\n

5<\/h1>\n

Horn Of The Rhino<\/h2>\n

Summoning Deliverance<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Jolocho<\/span><\/h1>\n

\"Jolocho\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

The Flaming Lips<\/h2>\n

7 Skies H3<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Swans<\/a><\/td>\n\n

2<\/h1>\n

Swans<\/h2>\n

To Be Kind<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Current 93<\/h2>\n

I Am The Last Of The Field That Fell<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Thou<\/h2>\n

Heathen<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Lasher Keen<\/h2>\n

Mantric Poetry, Oracular Prophecy<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Young_Widows_-_Easy_Pain\"<\/a><\/td>\n\n

6<\/h1>\n

Young Widows<\/h2>\n

Easy Pain<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"kayo-dot-coffins-on-io\"<\/a><\/td>\n\n

7<\/h1>\n

Kayo Dot<\/h2>\n

Coffins On IO<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Arizmenda<\/a><\/td>\n\n

8<\/h1>\n

Arizmenda<\/h2>\n

Stillbirth In The Temple Of Venus<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Richard<\/a><\/td>\n\n

9<\/h1>\n

Richard Dawson<\/h2>\n

Nothing Important<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"FUSHITSUSHA_1_640\"<\/a><\/td>\n\n

10<\/h1>\n

Fushitsusha & Peter Br\u00f6tzmann<\/h2>\n

Nothing Changes No One Can Change Anything, I Am Ever-Changing Only You Can Change Yourself<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top Nacional<\/h2>\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

Silvia P\u00e9rez Cruz & Ra\u00fal Fern\u00e1ndez Mir\u00f3<\/h2>\n

Granada<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

El Columpio Asesino<\/h2>\n

Ballenas Muertas En San Sebasti\u00e1n<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Cuchillo De Fuego<\/h2>\n

Triple Espa\u00f1a<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Los Punsetes<\/h2>\n

LPIV<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Teitanblood<\/h2>\n

Death<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Tharandur<\/span><\/h1>\n

\"Tarado\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"Swans<\/a><\/td>\n\n

1<\/h1>\n

Swans<\/h2>\n

To Be Kind<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

Ben Frost<\/h2>\n

A U R O R A<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Liars<\/h2>\n

MESS<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Scott Walker + Sunn O)))<\/h2>\n

Soused<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Yob<\/h2>\n

Clearing The Path To Ascend<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"And<\/a><\/td>\n\n

6<\/h1>\n

Andy Stott<\/h2>\n

Faith In Strangers<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

7<\/h1>\n

Cloud Nothings<\/h2>\n

Here And Nowhere Else<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

8<\/h1>\n

Death From Above 1979<\/h2>\n

The Physical World<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Her<\/a><\/td>\n\n

9<\/h1>\n

Her Name Is Calla<\/h2>\n

Navigator<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

10<\/h1>\n

Have A Nice Life<\/h2>\n

The Unnatural World<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top Nacional<\/h2>\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

Biznaga<\/h2>\n

Centro Dram\u00e1tico Nacional<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

Cuello<\/h2>\n

Modo Eterno<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Sacco<\/h2>\n

Sacco<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Viva Belgrado<\/h2>\n

Flores, Carne<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Teitanblood<\/h2>\n

Death<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Nooneisafe<\/span><\/h1>\n

\"Louko\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

Monuments<\/h2>\n

The Amanuensis<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

\u2020\u2020\u2020<\/h2>\n

\u2020\u2020\u2020<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Islander<\/h2>\n

Violence & Destruction<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Cro<\/h2>\n

Melodie<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Imminence<\/h2>\n

I<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

6<\/h1>\n

Antemasque<\/h2>\n

Antemasque<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Destrage<\/a><\/td>\n\n

7<\/h1>\n

Destrage<\/h2>\n

Are You Kidding Me? No<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"5_The_Gray_Chapter_Slipknot\"<\/a><\/td>\n\n

8<\/h1>\n

Slipknot<\/h2>\n

.5: The Gray Chapter<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Architects<\/a><\/td>\n\n

9<\/h1>\n

Architects<\/h2>\n

Lost Forever \/\/ Lost Together<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Aversions<\/a><\/td>\n\n

10<\/h1>\n

Aversions Crown<\/h2>\n

The Tyrant<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Remem0rama<\/span><\/h1>\n

\"Reme\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

Death From Above 1979<\/h2>\n

The Physical World<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

Blueneck<\/h2>\n

King Nine<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

\u2020\u2020\u2020<\/h2>\n

\u2020\u2020\u2020<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Wovenhand<\/h2>\n

Refractory Obdurate<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Flying Lotus<\/h2>\n

You’re Dead!<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

6<\/h1>\n

Cloud Nothings<\/h2>\n

Here And Nowhere Else<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

7<\/h1>\n

Antemasque<\/h2>\n

Antemasque<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

8<\/h1>\n

Mono<\/h2>\n

The Last Dawn<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

9<\/h1>\n

Parquet Courts<\/h2>\n

Sunbathing Animal<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

10<\/h1>\n

Weezer<\/h2>\n

Everything Will Be Alright In The End<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top Nacional<\/h2>\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

Horn Of The Rhino<\/h2>\n

Summoning Deliverance<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

Biznaga<\/h2>\n

Centro Dram\u00e1tico Nacional<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

The Soulbreaker Company<\/h2>\n

Graceless<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Berri Txarrak<\/h2>\n

Denbora Da Poligrafo Bakarra<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Viva Belgrado<\/h2>\n

Flores, Carne<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

Jorgenious<\/span><\/h1>\n

\"Jorgenious\"<\/a><\/h2>\n

Top General<\/h2>\n\n\n\n\n\n\n\n\n\n\n\n\n
\u00a0\"\"<\/a><\/td>\n\n

1<\/h1>\n

Amerigo Gazaway<\/h2>\n

Yassin Gaye: The Departure<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"Swans<\/a><\/td>\n\n

2<\/h1>\n

Swans<\/h2>\n

To Be Kind<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Calle 13<\/h2>\n

Multiviral<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

Ana Tijoux<\/h2>\n

Vengo<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Indian<\/h2>\n

From All Purity<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

6<\/h1>\n

The Great Old Ones<\/h2>\n

Tekeli-li<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

7<\/h1>\n

Flying Lotus<\/h2>\n

You’re Dead!<\/h3>\n<\/td>\n<\/tr>\n

\u00a0 \"USA<\/a><\/td>\n\n

8<\/h1>\n

USA Out Of Vietnam<\/h2>\n

Chasing Deseases & Incurable Deseases<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

9<\/h1>\n

Aphex Twin<\/h2>\n

Syro<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

10<\/h1>\n

Godflesh<\/h2>\n

A World Lit Only By Fire<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

Top Nacional<\/h2>\n\n\n\n\n\n\n\n
\u00a0\"Amistad<\/a><\/td>\n\n

1<\/h1>\n

Accidente<\/h2>\n

Amistad & Rebeli\u00f3n<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

2<\/h1>\n

Biznaga<\/h2>\n

Centro Dram\u00e1tico Nacional<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

3<\/h1>\n

Antiguo R\u00e9gimen<\/h2>\n

Pol\u00edtica de Tierra Quemada<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

4<\/h1>\n

El P\u00e1ramo<\/h2>\n

El P\u00e1ramo<\/h3>\n<\/td>\n<\/tr>\n

\u00a0\"\"<\/a><\/td>\n\n

5<\/h1>\n

Cuello<\/h2>\n

Modo Eterno<\/h3>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"

Cerramos ya el ciclo de los Tops de 2014 con la \u00faltima parte, los tops individuales de cada miembro del … Leer m\u00e1s<\/a><\/p>\n","protected":false},"author":1,"featured_media":20609,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[221],"tags":[],"yoast_head":"\n\n\n\n\n\n\n\n\n\n\n\n\n\n\t\n\t\n\n\n\n